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Rom
18 - 25 september 2004 Goethe
Institut Rom, Theater Ambra Jovinelli
With
the support of
MINISTERO
PER I BENI E LE ATTIVITÀ CULTURALI - Direzione Generale per lo
Spettacolo dal vivo - Direzione Generale per i Beni Librari e gli
Istituti Culturali
In
collaboration with
AMBASCIATA
DEL CANADA ; AMBASCIATA DI FRANCIA; BCLA; AMBASCIATA DI SVIZZERA;
DIPUTACIÓN FORAL DE BIZKAIA; FUNDACIÓN AUTOR; SGAE (Sociedad General
de Autores y Editores); FUNDACIÓN BBK
AKADEMIE
DER KÜNSTE, Berlin; IRCAM, Paris; CONSERVATORIO DI MUSICA “A. Casella”,
L’ Aquila; CONSERVATORIO DI MUSICA “S. Cecilia”, Roma;
CONSERVATORIO DI MUSICA “
L. Canepa”, Sassari; CONSERVATORIO DI MUSICA “G. Tartini”,
Trieste; UNIVERSITÀ DI ROMA “LA SAPIENZA” - Dipartimento di
Sociologia e Comunicazione - Facoltà di Sociologia - Facoltà di
Architettura; UNIVERSITÀ ROMA TRE -
Facoltà di Architettura; Progetto Anteprima; PROGETTO MUSICA (sostenuto
dal Comune di Roma)
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| Varianti in rame - Michelangelo
Lupone - 2005 |
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LAURA
BIANCHINI – MICHELANGELO LUPONE
Centro
Ricerche Musicali - CRM
The
evolution of communication systems, the access to interdisciplinary
codes, the development of computer science and interactive
networks have been responsible over the past few years for a profound
transformation in the forms of artistic creation and, more generally,
in culture.
The result has been the abandonment of the habitual venues (theatres,
concert
halls, galleries) for new modes of fruition and entertainment.
Science increasingly contributes to the support of this new dimension,
with its
forms of cognitive and technological application of perceptive
phenomena.
Contemporary works of art foresee, as integral features, the design and
preparation of spaces, both real and virtual, and the interaction with
the public.
IThese
elements are essential as the means for communicating the expressive
requirements of the artist which, through science, find the most
appropriate
forms of application. Which sciences are closer to and interactive with
the arts?
Is there a common planning feature shared by Art and Science?
Our intention is that this event, which includes performances, a
conference,
stages, artistic and functional installations, should provide the answer
to these questions and investigate the criteria which link Art and
Science
and their capacity for affecting social transformations.
In addition, the Conference will be organized in an unconventional form:
the contributions will be presented accompanied by performances, with
the direct participation of artists and scientists. In fact, artistic
events will
be presented at the same time, or subsequent to, the contributions which
are closely linked to the matter of the research and to the cultural
fields
proposed by the speakers.... More
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MICHAEL
KAHN-ACKERMANN
Direttore
del Goethe-Institut Rom
The
relationship existing between art and science is not something new, nor
particularly unprecedented. Modern painting is based essentially on both
scientific and technological discoveries: parallelperspective and oil
paints. It is not often that an individual is blessed with the dual
spirit of artist and scientist, even though such an eventuality is in
no way singular. Georg Büchner, for instance, published a pioneer
research work on the maxillary of a particular species of fish at the
same time as he was writing “Woyzeck”; it is also said that Einstein
was a particularly gifted. What is rare, however, is for art and science
to meet in one sole work, or
even to interpenetrate...
More
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Rot 2005
co-production CRM gramma CEMAT |
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