TIMOTHY MOYERS (USA)
Strahlung (2022)
video musicale 10’30” – CRM | MA/IN
TIMOTHY MOYERS (USA)
Golden Cuttlefish (2019)
video musicale 8’ – CRM | MA/IN
JOAO PEDRO OLIVEIRA (PT)
Storms (2018)
video musicale 8’35” – CRM | MA/IN
JOSH WEISSBACH (USA)
For All Audiences (2018)
video musicale 3' – CRM | MA/IN
TIMOTHY MOYERS (USA)
Strahlung (2022)
Strahlung is about our negative impact on the earth and ultimate extinction because of it. The view the piece presents is an earth changed, alien and devoid of human life. The video explores the calm, stark, desolate, and unfamiliar landscapes of this changed earth in the aftermath of negative human influence and nuclear fallout. The piece utilizes modular synthesis for the vast majority of the sonic material. Strahlung /Stráhlung/ (Translated from German) noun, feminine [die] 1a. Propagation of energy or matter in the form of rays emanating from a source of radiation: "cosmic, atomic radiation" 1b. Energy or matter emanating from a source of radiation: "measure the radiation".
TIMOTHY MOYERS (USA)
Golden Cuttlefish (2019)
Golden Cuttlefish explores the relationship between the organic and the abstract. A digital ecosystem is created exploring this juxtaposition in both the sonic and visual worlds. Abstract imagery is controlled by organic motion. Organic sound environments coexist with abstract sonic events. The organic flow of musical form and time is complimented by the fluid motion of the video.
JOAO PEDRO OLIVEIRA (PT)
Storms (2018)
Storms are unpredictable. They move fast and change suddenly. There is rain, static energy, light, noise and movement. Colors are grey, dark blue, white.
JOSH WEISSBACH (USA)
For All Audiences (2018)
A trailer of an experiment searches for meaning in a moldy montage. The detritus of the movie industry swims in organic material. Emulsion and its cracks, its crumbles, and its fades. Is it ready for all the audiences?
TIMOTHY MOYERS (United States, 1982)
Timothy Moyers Jr. is a composer and audio-visual artist originally from Chicago. He is currently an Assistant Professor of Music Theory and Composition at the University of Kentucky and supervises the Electroacoustic Music Studio. Previously, Timothy was an Assistant Professor in the Department of Human Centered Design at IIIT-D (Delhi, India), where he was the Founder & Director of ILIAD, and initiated the GDD Lab. He completed his PhD in Electroacoustic Composition from the University of Birmingham (England), an MM in New Media Technology from Northern Illinois University (USA), a BA in Jazz Performance and a BA in Philosophy from North Central College (USA).
JOAO PEDRO OLIVEIRA (Portugal, 1959)
João Pedro Oliveira completed a PhD in Music at the University of New York at Stony Brook. His music includes one chamber opera, several orchestral compositions, a Requiem, 3 string quartets, chamber music, solo instrumental music, electroacoustic music and experimental video. He has received over 50 international prizes and awards for his works. He is Professor at Federal University of Minas Gerais (Brazil) and Aveiro University (Portugal). He published several articles in journals and has written a book about analysis and 20th century music theory.
JOSH WEISSBACH (United States, 1985)
Experimental filmmaker. He lives in a house next to an abandoned village with his wife, two daughters, and three cats. His videos have been shown worldwide: Ann Arbor Film Festival, Chicago Underground Film Festival, Mono No Aware, 25 FPS Festival, and Alchemy Film and Moving Image Festival. He has won prizes at Videoex, ICDOCS, $100 Film Festival, Onion City Experimental Film and Video Festival, and Haverhill Experimental Film Festival. He is the recipient of the 2008 Cary Grant Film Award from the Princess Grace Foundation-USA, a 2013 Mary L. Nohl Fellowship for Emerging Artists from the Greater Milwaukee Foundation, and a 2015 LEF Fellowship from the Robert Flaherty Film Seminar.