BRUNO BELARDI (IT)
Scoop Out (2024)
acusmatico 08’36” – CRM | MA/IN
DAMIAN GORANDI (FR)
IS coming (2024)
acusmatico 08’30” – CRM | MA/IN
SIMONE SIMS LONGO (IT)
Franti (2024)
acusmatico 06’08” – CRM | MA/IN
DIEGO RATTO (IT)
MEMORIA (2024)
acusmatico 08’22” – CRM | MA/IN
DAMIAN GORANDI (FR)
IS coming (2024)
The conception of this work is based on capturing the moment before of a catastrophe. Develop that instant, expand it into a fiction of multiple temporal and spatial folds. Sounds of explosions, crowds, whispers, alarms and machines are organized in a narrative as violent as dreamlike. A voice, sometimes human and sometimes robotic, emits numbers. At first, the numbers do not seem to be incisive, but little by little they introduce their semantic value that resignifies listening. The poetics, the gesture and the games of reliefs in perspective (profundity of the internal space ) are fundamental concepts in my work.
SIMONE SIMS LONGO (IT)
Franti (2024)
The impact, the friction, the collision and the rupture. The sound becomes granular, transforms into a rhythmic element, and then dissipates. Creative potentials and sound collages organized from saxophone sound fragments. Layerings and organic noise that tickle the ears.
DIEGO RATTO (IT)
Memoria (2024)
A tempestuous journey through time, into the profound recesses of memory. Hidden and distant realms of moments and snapshot recollections, a personal odyssey guided by the echoes of childhood sounds.
BRUNO BELARDI (Italy, 1990)
Musicista e compositore napoletano. Studia contrabbasso classico e continua il suo percorso in Musica elettronica presso il conservatorio di Napoli. Ha un’intensa attività concertistica come membro della Nu-folk band Ars Nova Napoli suonando in vari festival di rilievo internazionale.
DAMIAN GORANDI (France, 1991)
Damián Gorandi, argentinean. Master’s in Composition at the Conservatoire National Supérieur de Musique et de Danse de Paris with S. Gervasoni; CURSUS IRCAM in Composition and in Computer Music in Paris; studies of Composition at the Haute école des arts du Rhin Strasbourg, and of Electroacoustic music at the Hochschule für Musik Franz Liszt Weimar. In Argentina he was Professor in Composition at the A. Ginastera Conservatory. He has worked with instrumental ensembles; his music is frequently programmed in Europe, North and South America and Asia in international festivals. Professor of Computer Music at the Conservatory of Beauvais (France). Member of the Destellos Foundation.
SIMONE SIMS LONGO (Italy, 1989)
Simone Sims Longo is a sonic and new media artist, interested in the creation and manipulation of sound in the digital domain. In his works, he often uses a multi-iteration of samples, following the phase shift and the complexities of polyrhythmic variations within sound textures. He explores space and exploits the interaction of sound with architectural elements; he is fascinated by natural reverberation and by the qualities of sound diffusion achieved through different materials. He focuses his live activity on the relationship between sound and visual or sound and light, crafting performances that explore the perception of audio-visual phenomena.
DIEGO RATTO (Italy, 1988)
Musician and composer currently based in Los Angeles, he received a Bachelor of Music in Jazz guitar in 2016 and in Electronic music in 2017 from Music Conservatory "A.Vivaldi" in Alessandria (Italy). He graduated from KMH - Royal College of Music in Stockholm (Sweden) with a Master of Music in Electroacoustic composition in 2019. He is currently a PhD and Associate Instructor in Music composition at the University of California Santa Barbara (UCSB). In June 2018 he was offered an artistic residency at the prestigious ICST - Institute for Computer Music and Sound Technology in Zurich. In 2021 he was offered a Fulbright scholarship to study Music Composition in the United States of America.