“TRAS_FORM_A(C)TION”
Concept and
organization
LAURA BIANCHINI,
MICHELANGELO LUPONE, MARIA GIOVANNA MUSSO in collaboration with
Universitŕ di Roma “La Sapienza” – Dipartimento di Sociologia e
Comunicazione e Facoltŕ di Sociologia
The
Symposium is non-conventional and proposes to develop the themes relative
to the relationship between Art and Science from various theoretic-
disciplinary points of view, focalizing the elements of transformation.
Theoretic
contributions will be accompanied by artistic representations (music,
video, theatre) at the Goethe-Institut Auditorium, which during the two
days will be transformed as required. The Symposium is divided into three
thematic sections, derived from the semantic areas contained in the word
“tras_form_azione”. The conceptual and representational development of
the Symposium has been devised as an authentic musical score in which each
element is related to the others and each speaker contributes, even if as
soloist, to the realization of the overall proceedings. |
TRAS_
The first session is
dedicated to the conceptual, physical and territorial
transmigrations which contribute to the reciprocal fertilization of art
and
science.
The transposition of
codes, the diaspora of identities, the crossing of frontiers and the
concept of limit are some of the themes that will be discussed in the
light of the thematic and disciplinary crossovers which constitute the
basic features of complex thought.
MICHAEL
KAHN-ACKERMANN
director Goethe-Institut
Rom
MARIO MORCELLINI
director Department of Sociology and Communication Universitŕ “La
Sapienza”
LUCIANO BENADUSI
director Faculty of Sociology Universitŕ “La Sapienza”
MICHELANGELO
LUPONE artistic director
Centro Ricerche Musicali - CRM, Roma
DERRICK DE
KERCKHOVE sociologist,
director of Mc-Luhan Institute, Toronto
VIDEO
BERTRAM MÜLLER
psychologist
FRIEDEMANN MALSCH
art historian
FRANCO CASSANO
sociologist
NASSIM NICHOLAS
TALEB mathematical social
scientist |
_FORM_
The second session of
the conference centres on an ample reflection on
the concept of form. Form intended as ambit, model or intelligible
principle
created and maintained in the domain of time and/or space.
The contributions
envisaged in the architectonic, theatrical, musical and
sociological areas will be developed with regard to the aesthetic forms,
as well as to those of performance, narration and communication.
ELMAR ZORN,
literature and art historian
NICOLETTA SALA
physicist, Accademia di Architettura Universitŕ
della Svizzera Italiana
YANN ORLAREY
composer, scientific
director Grame, Lyon
FREDDY PAUL
GRÜNERT artist
VINCENT PUIG
director Marketing and Publications Ircam
HANS H. DIEBNER
physicist, director Institute
for Basic Research, ZKM Karlsruhe
|